Carrie Isaacman is one of us!!!
A strong woman of the arts – taking control and telling stories!
Carrie is the organizer of Shakespeare Sports. Her inspiration for Shakespeare Sports is from her studies of Shakespeare’s First Folio and liked the idea of
using the question around of “scrolls” as a rehearsal tool or if they are intended for a group of actors who have little time to rehearse early in their rehearsal process, as the Elizabethans had very little time to rehearse, or are scrolls part of the show? Carrie chose ‘As You Like It’ because it looks at a group of teens who are put
in a position where they can – using only their wits – change the world – even while homeless.
No scrolls here … she just kinda spoke!
Tell us about yourself as an artist.
I am an actor and have been directing as of late. I am the director of ‘As You Like It’. I started organizing ‘unrehearsed Shakespeare’ readings and it occurred to me that with the requirements of ‘unrehearsed Shakespeare’, of working on Shakespeare’s stage directions first, including music, movement and anything technical, even with the scroll in hand for all actors by the time the cast has worked on all aspects like music and movement a cast might as well plan a full run of a show and I am now glad to be doing just that.
Tell us about your role in AS YOU LIKE IT.
I got the idea for setting ‘As You Like It’ in 1968 as a response to the very vocal protesting around all of the elections over the last few years and the advocacy that goes along with the interests of those who are running for office.
Shakespeare’s show ‘As You Like It’ should show the difference between court and country life and that includes dialects of speech dress and behaviors.
The characters going away from their way of living that they are used to is political and it means that they will need to find away to survive with people who they may normally not interact with. Through all of the circumstances the characters, Rosalind with Celia and Orlando with Adam, entertain one another as they are solving the problems that they are faced with and that is what makes the play a comedy.
Share with us your thoughts on independent theater. What is its significance to the skyline of entertainment in NYC? AND how has indie theatre helped Shakespeare and visa versa?
As a creator of Shakespeare’s theater in independent theater I look to see how larger theaters do community building and how they produce thier traveling shows especially because Shakespeare Sports works on a small budget. I also look to see what larger theaters choose for their season. And if I would want to share the work or Shakespeare Sports with a larger theater I would want to have an organized portfolio and mission for what and why produces Shakespeare. This is also important is Shakespeare Sports is planning a season and planning ahead.